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Comparative Study on the Development of Sailor’s Song in China and Western Europe from 19^th Century

Author: CaoZuo
Tutor: WangGuangZhen
School: Shandong University
Course: Modern Chinese History
Keywords: Chanty Venice Barcarolle Genre Chant Folk Instrumental
CLC: J607
Type: Master's thesis
Year: 2008
Downloads: 188
Quote: 1
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Abstract

The historical to nourish genre, genre mapped history; history moist Genre, Genre carrying history. Every country, the region in the form of a music genre and the creation of its relatively traditional, these traditional factors are closely linked to the cultural life and development of the social history of folk music. Barcarolle is an ancient music, but also a cultural phenomenon, its generation, development is closely linked to the customs and life of the people. Barcarolle in a long process of development, has experienced the evolution from water to land, from the practical to entertainment, from vocal to instrumental. Accompanied by the evolution of Barcarolle the music creation Barcarolle increasingly artistic, professional. In this paper, the purpose of this subject, the status quo, methods, conclusions and significance is described in the preamble. The article main part is divided into four chapters. The first chapter of Western Barcarolle connotation defines: Barcarolle was originally a folk boatmen chant practicality or Boat Song. Barcarolle music with the rapid development of capitalism, the West reached its boom phase in the nineteenth century, a Venetian-style main lyrical romanticism music genre, and more creative in the piano field development. Modern industrialization process is slow, Barcarolle the one hand, retained its practicality, the music of the folk chant tradition, on the other hand the professional music creators to use in the field of different genres the national folk elements to create more with localized Barcarolle, nationalization, popular music. The origin of the second chapter in Western Barcarolle historical narrative of the show, in-depth analysis of the geographical environment, the social background of the times in Western Barcarolle music as well as culture and art heritage. Barcarolle originated in ancient Wu Song, West song, popular in Hunan and Hubei and Jiangsu and Zhejiang region. After changing times, ethnic strife fusion, the development of a wide range of folk songs, the form of the development of the \Western Barcarolle origins in the ancient city of Venice Gondola Boat Song. The special geographical location, a high degree of economic prosperity and excellent culture and art heritage, to Venice Barcarolle \Chapter III through a lot of music literature and works of instances of the West in the 19th century chantey music creation and artistic style combing classification and analysis of comparative summarizes the different periods in Western Barcarolle style characteristics and evolution process. Western Barcarolle music is mainly divided into vocal and piano. Through the romanticism as early, middle and late has representative Barcarolles work analysis we know that in Western the Barcarolle Music of development shows the characteristics of the professional, personalized, Barcarolle music of different periods of the evolution of the shape and style with which located aesthetic thought and composers of the era of creative concepts associated. China's Barcarolle music is more complex, diverse manifestations and diachronic characteristics. Since the ancient Barcarolle \Barcarolle music in the 19th century, mainly divided into the Barcarolle in traditional music and modern professional composers Barcarolle two categories. However, regardless of the Barcarolle works in the traditional sense, or nearly modern creations since China's Barcarolle music reflects more nationalization, localization characteristics. This chapter of the national artists in the restructuring process of the nation the instrumental Barcarolles the creation, playing musical instruments, do focus on the contribution made for the inheritance of traditional music and folk music, development, innovation. Specific analysis of the first two chapters, in the fourth chapter focuses on the 19th century in Western Barcarolle music creation and aesthetic performance made a comparative study. Proposed: China the Barcarolle the creation has played (singing) uncertainty over one another, a second creation characteristics unity; Western Barcarolle creation is reflected concert (playing) certainty, The specificity of material use, as well as a second creation separation characteristics. Aesthetic performance functions, western re rational, real, and keynote Barcarolle music performance as \The \Western Riverboat by romanticism aesthetic influence of ideas, whims, freedom to express one's inner feelings main the subjective lyrical color; China's Barcarolle more to the performance of the life of the working people, praising the good of the motherland The Sunward mainly showed a nation \This article concluded: Although in Western Barcarolle as the same type of music styles there are many common laws of artistic creation, but because in Western philosophy, ways of thinking, aesthetic awareness of different chantey music creation they have significant differences on the way, performance and aesthetic appeal.

Comparative Study on the Development of Sailor’s Song in China and Western Europe from 19th Century

Abstract

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Comparative Study on the Development of Sailor’s Song in China and Western Europe from 19^th Century