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R.And H. \

Author: LiuYongYi
Tutor: JuQiHong
School: China Academy of Art
Course: Musicology
Keywords: Gold Portfolio Musical Broadway Rogers Music morphology Drama Partnerships Character Set Awards Structure Processing
CLC: J897.12
Type: Master's thesis
Year: 2000
Downloads: 270
Quote: 3
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Abstract


Rodgers and Hammerstein This combination of gold in the history of Broadway musical is an open atmosphere of the pioneer generation, they combine to produce a musical drama in the history of the most prolific, the most stable and most successful partnerships. They and other great composers contemporary writers such as George Gershwin or words, Hart, Cohen et al together for the American pop art provides the most broad space for development, and their music is easy to remember, catchy, nostalgic, and its Meaning often beyond text, features, easy to resonate; their lyrics moderate wonderful, touching; their music Drama, theater style dominated almost half of U.S. musical history. They have become inextricably linked in American culture is an integral part. Therefore, the two men as the object of study is to uncover the mystery of this layer musicals one of the keys. Paper is divided into seven chapters. The first chapter from the vertical plane, a historical perspective on the life of both men, creative experience to do an overview. The second chapter horizontal surface. Hand introduce \Which records each work of creative background, creation through, every drama credits, staged and awards, and the artistic achievements do simple commentary. Chapter III to Chapter VI to the works of two specific research object is expanded general exploration. Three, four chapters detail Hammerstein's script and lyrics writing, script writing a chapter in Story Mode and characters from the set of social subjects and humane care, treatment and other aspects of the structure starting to identify Hammerstein creation and predecessors The difference, sum of its unique concept of Music and Drama. Chapter IV and dramatic literature from the musical knowledge of both drama poetry. Chapters 5 and 6 with two chapters that on Rogers song writing style of inquiry. Chapter from the music which morphological point of view, from the melody, musical structure, harmony and tonality, etc. to start, trying to find European and American musical Rodgers general rules of music. Chapter Six visits songs in the play shown by the three dramatic role. Chapter VII of the two in the musical history of the contribution, status and value orientation. Full line from the surface to the point, the principle of layers of depth, with examples analysis and appraisal method, based on existing customers and strive to achieve fair. Musical introduction, introduction and theoretical research in China started very long time, but I am also just stepped into this fascinating field, there are many unknown areas waiting to be developed, I hope I can this piece of small papers as China's booming musical career rise of a stone, do their bit modest.

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