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Cross and Separation between Early Chinese Film and Drama

Author: QuDeZuo
Tutor: YuJi
School: Southwest China Normal
Course: Film Studies
Keywords: Chinese Film Theory Dramatic Film industry Early Chinese Film The early twentieth century Aesthetic characteristics National form Comprehensive Perspective Exotic Aesthetic norms
CLC: J909.2
Type: Master's thesis
Year: 2005
Downloads: 256
Quote: 2
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Abstract


Films in the process of growing a bond with the drama , the film became an independent artistic process , both inevitably absorb and learn a lot of drama mature experience , but also the inevitable dependence of detachment from the theater open . In this paper, Jiwan Zi space, on the basis of the large amounts of data , based on the characteristics of the evolution of film aesthetics , combing the early Chinese cinema and theater intersection and separation phenomena , issues and state , trying to show more clearly that era film industry to explore trajectory. The introduction part , this article from Chinese cinema and theater in the early twentieth century historic rendezvous start , outlining both the aesthetic similarities and exotic combination with the national form , resulting from the early Chinese Film and intuitive way to accept the theater. In addition to opera, film and drama focuses on the combination of cross outlined several aspects: the theory of the cross, the cross staff , creating a cross . China put forward the theory of the evolution of film characteristics . Finally elaborate film and theater eternal dialectical relationship . The second part of a total of three chapters. The first chapter discusses in detail the theory and early crossover movie theater attached to the root , discusses theater and film in the sports and performing on the commonality . Cross staff discusses Zheng Zheng and Tian Han , comprehensive contemplation duo of theater and film events , involving specific issues such as family drama in theater and film in a different direction. The third chapter is a strong theoretical chapter discusses the dramatic content and dramatic situation fully implanted films . The third part focuses on the creation of film theory and slow the process of establishing their own aesthetic norms , divided into \The fourth part is the conclusion, discusses the relationship between film and theater studies the significance . Full totaling forty-four thousand words.

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Film,television, art history
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