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From the history of Chu and Wu Qu Yuan Art Nouveau style Myth
Author: GaoZhengWei
Tutor: DongYunTing
School: Chongqing Normal University
Course: Ancient Chinese Literature
Keywords: Qu Yuan Chu Shi Witchcraft Myth Art Nouveau
CLC: I206.2
Type: Master's thesis
Year: 2005
Downloads: 342
Quote: 1
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Abstract
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Qu Yuan Art Nouveau generation, both Chu , Chu national product of history , but also a long history in this unique nurtured by the crystallization of Chu culture . In this style of poems and works of the North did not generate soil. Qu Yuan Qu Yuan , and it is clearly the nation . Chu , Chu national historical development has gone through four stages: First, before vend Bear ancient legends era ; Second Shihui Huang Chu Xiong silly before the pioneering era ; Third, before the King of Chu Chu strong history of the golden age ; Finally, the history of the end of the era of Chu . In a thousand years of history , Chu traveled a nation from weak to strong , from strong to weak , the final demise of the road. Taken together with Qu Yuan , Chu national historical development have several characteristics : a long history ; retains many of the original clan system morphology ; national integration throughout the state of Chu always ; Zhongyuan lingering discrimination and punitive . These features condensed into Chu nation's collective consciousness , affecting Chu thoughts, words and deeds , but also profoundly affected the artistic style of Qu Yuan . On the one hand , Chu long and unique history and several features to make the world a powerful Yuan to be blown away , and then in Qu Yuan has shown strong momentum and romantic , so showing a magnificent artistic style ; another aspects , Chu nation suffered humiliation and long crusade against letting the tragedy of Qu Yuan infected with a strong implication, poems and showing the whole tragic aesthetic meaning . Wu Chu wind combines song, dance , music and other art forms . Compared with the north wind witch , it's more primitive , and less Etiquette constraints . It mythological traditions together , the structure of the content on Qu Yuan , Strangeness romantic style and sacred space generation have a decisive impact . Chu myth because preserves more of the original ecological characteristics and less by history , so they left it more ancient totem features, and showing a diversity of totem . Totem and myths that Qu Yuan has blurred critical phenomena and difficult means real symbolism. Yuan also ancient myths of innovation to make their own lyrical services.
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