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The Story of Marriage between Human Being and God, Ghost or Fairy from the Early to Middle of Qing Dynasty

Author: LiWeiHong
Tutor: LiYanNian
School: Hebei Normal
Course: Ancient Chinese Literature
Keywords: Mid-Qing Dynasty and Classical Chinese ghost marriage novels Thinking style Aesthetic Style
CLC: I207.419
Type: Master's thesis
Year: 2010
Downloads: 114
Quote: 0
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Ghost marriage, the custom has a long history, in various forms, the ghost marriage as a theme of literary works range table of contents, rich in content. The beginning of the Qing Dynasty to the mid-Qing classical ghost marriage novel with its large number of self-contained, and formed their own unique literary style. In this thesis, the most representative works of this period \In the introduction, the highlights a ghost marriage customs in the history of our country, at home and abroad \The first chapter, the early Qing Dynasty to the mid-Qing ideological outlook of classical Chinese ghost marriage novels. The ghost marriage of classical Chinese novel of this period reflects the reality of some history: the turbulent social reality as well as the political reality of the dark corruption. The novel has two very typical love thinking: love at first sight enduring love thinking of ideas and life and death, it significantly different from the other novels love thinking. In addition, the novel also reflects the profound Confucian concepts of filial piety and the Buddhist concept of retribution. The second chapter, the beginning of the Qing Dynasty to the mid-Qing classical Chinese novel aesthetic features of ghost marriage. From a structural point of view, the the ghost marriage of classical Chinese novel of this period not only has the characteristics of plot suspense ridden and narrative style metamorphosis diverse, ingenious and novel characteristics of the rules and layout. Portrayed characters shaped the the ghost marriage of classical Chinese novel of this period from a different perspective. Not only that, the novel appears more heterogeneous character, the hero is no longer confined to a man and a woman, is no longer confined to the conventional type of real male imaginary female and affectionate between men and women, some of the matchmaking person, character types more numerous. Portrayal fresh from the success of the character of language use, the novel in terms of character language is also very successful: the ghost fox language sound port Bi Xiao, ghosts dialogue humorous, the ghost to introduce ourselves Zhenxi stylized. Ghost marriage, the novel as an integral part of the mystery novels has always been throughout the history of Chinese fiction, and participate and write a remarkable chapter of Chinese literature. However, the academic view of ghost marriage novel is not very comprehensive and impartial. So I try the early Qing Dynasty to the mid-Qing classical Chinese ghost marriage novels, on the one hand, want to add a brick to the ancient Chinese ghost marriage novel, on the other hand want to have more experts and scholars into field evaluation of ghost marriage novels, objective and impartial attitude. Appendix, the early Qing Dynasty to the mid-Qing classical Chinese ghost marriage fiction List. Access to hundreds of classical Chinese novel of this period, I screened out Seven Shi Yupian ghost marriage novel for readers reference annexed to the papers.

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CLC: > Literature > Chinese Literature > The body of literature reviews and research > Novel > Ancient Novel > Other ancient novels and reviews
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