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Fascination of Male Power Consciousness-Analysis of Characters of the TV Series "Living in a Snail’s Shell" at the Socio-Gender Angle

Author: FanHong
Tutor: BaoPengCheng
School: Anhui University
Course: Journalism and Communication
Keywords: Gender Masculinity Femininity Stereotype Virgin
CLC: J905
Type: Master's thesis
Year: 2011
Downloads: 304
Quote: 0
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Abstract


Joan Scott in the 1970s, first proposed the concept of \This concept is the main argument of the gender gender formation is the result of social and cultural construct. According to French structuralist Marxist Louis Althusser, gender awareness is not naturally generated, but the specific historical and cultural construct, is constructed by the male chauvinist culture has long been a dominant position, the so-called boys and girls and other essentialist view but a manifestation of ideology legalization. TV for granted as one of the mass media has the function of gender construction. Groups of men and women in the TV features and behavior reflects male domination and power relations derogatory to women, the performance of the mainstream values ??of the patriarchal society. Fundamentally speaking, the patriarchal ideology as a hidden potential social collective unconscious is always the key factors that affect the drama portrayed. Drama gender image as an important part of the TV program the media reproduction when will inevitably make use of the advantage of the social ideology to construct meaning and mode of gender, also re-center values ??of the patriarchal society today such a deep social and cultural psychological impact inevitable. Gender portrayal in the TV series does not accurately reflect the variety of the faces of the men and women living in the social reality, but in varying degrees digestion sex image, and ultimately affect the the audience gender awareness and behavior. Drama shaping gender image deviation typically includes the following aspects: First, the deviation the temperament of gender and gender relations defined. Successful men in the drama are often rich characteristics of hegemonic masculinity, physically strong, decisive, ambitious and aggressive behavior, family role is mainly responsible breadwinner obligations away from housework. Popular drama in the shape of women are usually look beautiful, gentle graciousness many obedient, to obey the state on the men. If men and women contrary to this role definition, can be considered to be enough to meet the gender roles, and the image is to demonize. Second, women materialized. That is, women materialized as aesthetic objects and consumer objects. Television shows often focused features and physical characteristics of the female gender, their bodies become symbols carry some sort of desire, in order to attract the attention of the audience. Women no longer exist as a principal pursuit of ratings, but as a drama and a means of access to the commercial value. Third, the distortions of female values. The drama in the women value more than is reflected in the pursuit of love, fashion and pleasure, too much attention to their own appearance, age, size, external factors. The women either narcissism or low self-esteem, their daily concern is their own dress, and the ability to be heterosexual appreciate. Authoritarian male consciousness done. Feudal autocratic male consciousness, women are treated as private property of men, respect for women to husband your husband. In the relations between the sexes, the male female absolute purity, chastity of women as important standard of female moral judgments. The five men fallen completely to blame women. In a patriarchal society, men would never stoop men stumble female \Although the temptation woman is a male projection of their own desires, but ultimately foot the bill for such a desire is still a woman. With the hands of women will maintain the patriarchal men to punish those who actually own Longlai woman to satisfy their own desires. Analysis of this article on the TV series \forward to the characteristics of the dominant masculinity. The second part of femininity and gender stereotypes the analyzes found drama in the shape of these three characters Haiping, seaweed and Song Siming wife, with an obvious stereotype of the traditional patriarchal society women Statute. Male acceptance and love seaweed such a weak woman and the Song Siming wife \The third part from the level of the \Play women as private property owned by men for men to meet women, and women's self-gratification through material acquisition. The fourth part of the analysis of the outcome of the play. The hands of the \The epilogue will contact vector-borne and vector-construct theory to elaborate the adverse effects of of gender concepts conveyed by the play of the audience, can cause the contents of communicators and more attention to gender equality.

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate
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