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The New Historicism Film in Post-Modernism Context
Author: ZuoJiHua
Tutor: HuangBaoFu
School: Zhejiang Normal University
Course: Literature and Art
Keywords: New Historicism New Historicism movie Postmodern Context
CLC: J905
Type: Master's thesis
Year: 2011
Downloads: 68
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Abstract
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New Historicism was born in the 1980s, Anglo-American culture and literature, the term first-time users of California, Berkeley, Department of English Professor Stephen Greenblatt, he published in 1982, \played under the banner of \To the New Historicism is a common theoretical program of academic schools, is also not been recognized uncertain concept, but seeks to highlight from the main narrative according to Greenblatt, and other related discussion of New Historicism starting between literature and history influence each other, and focus on the link between literature and culture. New Historicism has the following characteristics: subjectivity, \New Historicism movies and historical movies biggest difference is that the new historicism film so that the audience sees is not a specific section of historical narrative, but the performance of metaphor and abstraction. New Historicism movie there is no uniform theoretical guidance, are quite different in the specific exercise of skill. \The same time, the awareness of civil replace the mainstream consciousness, to restore the noble spirit of the pursuit of trivial worldly life, the inevitability of the historical development give way to emergency contingency, the expression means allegorical, symbolic. New Historicism film the subjective interpretation of history, but ignore or even deny the objectivity of history, greatly damaged the value of the text by the \Plus modern phenomenon with the introduction of Western ideas take root in China and spread to various cultural dimensions of the New Historicism film naturally also showed the \\Therefore, the the New Historicism film is produced in the post-modern thought, the history of the game in order to satisfy the audience's audio-visual consumer demand, and consumer history strategy, the time and space to the disorder, manufacturing carnival scene one after another, thus becoming the daily life of a relief. Therefore the New Historicism movie with Joking history, consumption history, the concept of time and space dislocation characteristics. The New Historicism most of the movie is not performance history for history's sake, it fully into account the social climate, the association between the cultural phenomenon of the national constitution, religious beliefs, family relationships, power discourse, traditions and customs, the generalization of a culture ideographic strategy. Although the description of the post-modern phenomenon of the same visible, but most scholars expressed their common characteristics. Postmodernism is the concept of a period of time, new features appear in the form of cultural, linked to a new type of social life and a new economic order. Postmodernism as a cultural style, a depth, certain aspects of the game, simulation, eclecticism, pluralism art reflects the changes of the times, blurring the 'elegant' and 'popular' culture the boundaries between art and everyday experience. Therefore, the post-modern works of art, including New Historicism film inevitably has a post-modern cultural traits: rejection philosophical depth, keen to human without depth, a pursuit of pleasure, the art of surface and fleeting emotional intensity; to doubt everything a reliable real and uncertainty, take the form of irony to promote the epistemology of relativism and skepticism. Modernization accelerated pace of life, people's aesthetic psychology is also undergoing a subtle change, focusing on quick-and short-term pleasure and emotional satisfaction. Most of the film also will Chongshang Shi secularization, to meet the audience audio-visual sensuality. Because they are popular, but not vulgar, and does not require deep thinking. In the evaluation of the the New Historicism film text, still have a historical scale. Appreciate such movies, we should examine whether they are able to history to reproduce, let us review the history of the transformation of reality at the same time to raise the quality, so as not to blindly reflect the visual culture.
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