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Smetana "my motherland" symphonic poem structure research

Author: FengZuoYing
Tutor: FengYi
School: Xi'an Conservatory of Music
Course: Musical Form and Analysis
Keywords: Smetana symphony musical form composing technology
CLC: J614
Type: Master's thesis
Year: 2014
Downloads: 1
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Abstract


Czech national composer Bedrich Smetana (1824-1884) has totallycomposed four symphonies in his whole life,<Richard Sans>,<Camp ValStar>,<ha empty yar>,<my motherland>. The four symphonies arerepresentative works of excellent19Century romanticism period, alsoimportant large-scale works in the history of the development of modernmusic. The <my motherland> the symphonic poem not only establishednational music Smetana Czech’s father status and become a genre of musicand creative use of the history of the development of the classical. Thisarticle is through <my motherland>,from music structuer analysis, harmony,mode analysis, orchestral music method of Smetana’s symphonic poems,through careful reading of <my motherland">the symphonic poemdivertimento, author of Smetana in the works of symphonic poem creationtechnique and style of the “continue” and “innovation” in-depthunderstanding of.In this paper, Smetana <my motherland>the symphonic poem cycle as thebasis, to integrate into the traditional music composing techniques andethnic music style as the breakthrough point, from the creation background,the reason, the theme music, language characteristics and structure ofreading and research, in-depth analysis of summing up the Czech composersymphonic music composition techniques characteristics of style andtechnique, sums up the regularity of the works of the representative.In the musical form structure, juxtaposition musical form (“áRKA”,“BLANíK”) and the subject (“Zcekych hulu ahaju”) use have become thesymphonic poem cycle structure, the most remarkable characteristic; andf three part of musical form (“vyehrad”-mixed central complex threemusical form;“TáBOR”–trust department single three musical form),as well as the suite (“Die Moldau”) also has applications and specialtreatment in different degree, and embodied in the works of each part.In the harmonic structure, the classical harmony system continuityand development, application of variable chord;"diversity" mode,"the two main features of complex", the single and dual tone combination.In music, composer Smetana, the love of Bohemia minority languagenaturally into their works, so no matter from the theme selection andapplication of language showed his national complex, and ingeniousarrangement and writing techniques from the structural form of theoriginal place showed his love of symphonic poems and continuousexploration on the symphonic poem form.

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