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As the Prose leaders, Ouyang Xiu in literary theory proposed distinctive insights, and actively practice their own advocates in poetry writing. On the basis of existing research results, a more systematic and comprehensive literary ideas and poetry of Ouyang Xiu depth discussion, designed to reveal the interaction between theory and creation of complementary. In this paper, the analysis of of Ouyang Xiu literary theory to take classified research, and as a unit, to explore the related theory embodied in the poetry. The full text of this idea as the guiding principle is divided into four chapters discussed. Chapter \Section I start from the point of view of the literary style, around three issues discussed, discussed Ouyang Xiu pursuit plain, simple, concise Strange oppose, oppose shallow vulgar vulgar pursuit of fine Italian claims, these insights Taken together, it can be seen, Ouyang Xiu pursue the plain and not shallow and vulgar, \Section II analysis of the Ouyang Xiu poetic language, imagery, structural arrangements, allusions, and the effect of expression characteristics of the five areas, examine the above theory in practice in his poetry. As can be seen, avoided the odd the Ouyang Xiu poetic language word, strange language, plain comfortable, easy to understand; imagery use plain Ming Xiao; the stable natural cis structure, and there is no lack of ingenuity Smart; the Ouyang Xiu evade rare allusions and of allusions untracked. Meaningful mood, Yun Endless. Chapter II \, Han Yu, Meng Jiao, Wen Ting-yun, Yang Yi, money provided speech, Su Shunqin stone sickness, Tu Yen, Mei Yao, Wang Yucheng, Jiang o several et al have been thrust to weight and advocates learn from all the family on the basis of the formation of their own style. Consistent and respected by many famous advocate, the Ouyang Xiu poetry obvious to have to learn to imitate traces showing similarity with the style of others, and part of the poem have a tendency to take a number of different styles with a chapter Section II that on the of Ouyang Xiu creation characteristics are discussed. Chapter Road, not far from people with so-called text, will be with props. \discussed for the \Also pointed out that he denounced Buddhism and Taoism, do not believe the fatality, criticism alone make concentric, and on this basis, the argument as text immortal literary values. The Section II combined Ouyang Xiu poetry further demonstrated that this theory can be practical. Chapter \The first section discusses the connotations of of Ouyang Xiu \Critical Realism to vent their grievances, but opposition than complain about the ironic satire advocated the expression of emotion in a more subtle, peaceful state, to fill in current affairs, will benefit the nation. Section II Analysis \too rich, real emotion express random twists and turns as the river, meaning to words only through naturally.
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