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Beethoven’s Third Piano Concerto C-Minor "the Piano"

Author: LiJian
Tutor: LiangMei
School: Harbin Normal University
Course: Musicology
Keywords: Beethoven The c-minor third piano concerto no. uniqueness Playing techniques
CLC: J624.1
Type: Master's thesis
Year: 2011
Downloads: 76
Quote: 0
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Abstract


Beethoven is Germany’s greatest composer and pianist, is also the Vienna classical pie outstandidng representative.His music represents the French revolution around Europe bourgeois revolutionary high tide period of whole era, full of against the protesters Among them, the c-minor third piano concerto "is a link, the music works a landmark this song, Beethoven himself also full of confidence. The music composed in 1800 years, 1803 premiere on April in Vienna.Beethoven have Numbers piano concertos were five first, a small, but covers his lifetime of the creative thinking, the main subject characteristics.Among them, the c-minor third piano concerto "is a link, the music works a landmark this song, Beethoven himself also full of confidence. The music composed in 1800 years, 1803 premiere on April in Vienna. In the piano technique and development concerto, Beethoven genre there were great breakthroughs and innovation. This paper attempts to the third piano concerto in the study and exploration, where about Beethoven era background and works on the basis of the basic connotation, from various angles to explore this work unique music creation technique and Beethoven’s "humanism", make players better hold the performance styles and techniques work process.This paper is divided into five parts: the first chapter for the introduction part, mainly to the article academic background and literature review, research methods and the practical significance of problem is discussed in this paper. The second chapter presents some of the early music works of Beethoven’s piano concerto, and separately from the basic meaning and composing characteristics and tonal characteristics of several aspects such as the third piano concerto in more detail discussion and analysis. In addition, the creation of Beethoven bourgeois humanitarian thoughts have a correct understanding of it. The third chapter basically is the third piano concerto c-minor embodiment of music uniqueness in Beethoven and its assessment. The fourth chapter of "the third piano concerto through the formal structure of the analysis of the characteristics and tonal, elaborated specifically Beethoven piano concerto playing style and playing skills. The last chapter presents a pianist and play more than features through multiple sets of audio-visual material version of the comparison, thus increasing the grasp of Beethoven style, seeks better play effect.This paper in Beethoven’s third piano concerto in c minor "piano playing and works as the research target, the connotation of European music history, through the creation of knowledge such as piano concerto, and comb and research and collect countries by audio-visual c-minor third on the virtuoso piano concerto" of different deduce from various angles, and comprehensively analyzes its performance skills and methodsSome of the music of domestic professional college students and teachers to learn and interviews, understand their music of Beethoven and his works, finally will play its generalizations.Hope that through this exposition, make the player more accurate understanding and master Beethoven’s third piano concerto in c minor, improved their of performance level.

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CLC: > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano
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