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On the classical aesthetic categories \

Author: ZhaoLianNing
Tutor: SunShuWen
School: Shandong Normal University
Course: Literature and Art
Keywords: Chinese Classical Aesthetics Category Old Du Fu
CLC: B83-09
Type: Master's thesis
Year: 2011
Downloads: 92
Quote: 0
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Abstract


The \Extending toward the multiple dimensions of its meaning, even toward the opposite direction, with a strong inclusive. The \Aesthetic category in the field of painting and calligraphy \The \connotations. The main body of the paper consists of three parts: the first part briefly trace the etymology of \The \The elderly experienced things, have more wisdom, so respected in the Qin Dynasty. Thus \Chinese ancients weak logical thinking, emotional thinking ability, and therefore the the ancient aesthetics category system is not strong. The context of the ancient Chinese aesthetics is often initially a concept in other areas, and later lent applied to the field of aesthetics, and then developed into the aesthetic category. The initial basic meaning of the aesthetic category such as \Then for painting, poetry, calligraphy, and other areas of forensic. \The second part describes the development of the \As aesthetic category of the \\\The in-depth development of the \the group \\But just the initial formation of these related areas, not in-depth exposition. Aesthetic category of \closely with \to the grid system, the overall meteorological. Related areas of the \gradually mature in this period or further established; Poetics conscious home to analyze literary phenomenon from the point of view of the \the performance of the method of the old \Use more extensive and widespread, and even extended to the field of opera and music; aesthetic characteristics of the \\The third part mainly poetry as discussed by representatives of the \\Creator of the only open-minded, rich and sincere emotion, excellent Congenital thick of scholastic ability, many vicissitudes and perseverance, old and solid, real experience of life, in order to create insight into the human physical and moral principles deep, old Emotion, gloomy sounding works. Creators constantly learning artistic skills, learn to temper from the \together. \Focuses on masculine beauty in style: Energizer Hard frustrated, Jun Wei, but not blindly Cuhao odd dangerous, strange and ugly, but financial and diverse as the harmonious integration of aging and beauty. Unity in diversity is a significant feature of the \Typical of the \The typical representative of Du Fu, Huang and Chen Shih Road has the gloomy frustrated features works in the field of poetry.

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CLC: > Philosophy, religion > Aesthetics > Aesthetic theory > Aesthetic History
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