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Prompted resolve and played five Debussy Preludes
Author: LiuQiuPing
Tutor: YangQiaoYun
School: Shanghai Normal University
Course: Musicology
Keywords: Debussy Prelude Music analysis Play
CLC: J624.1
Type: Master's thesis
Year: 2011
Downloads: 74
Quote: 0
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Abstract
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Relative to the mid-nineteenth century , with Germany as the center of traditional music creation , the national school became active in the European continent . In France , the initiation of a new art style - Impressionist music . Debussy is one of the representatives of this new style of music . His work on the traditional basis of inheritance , more embodies the innovative creative techniques and musical aesthetic ideas . These works not only reflect the development of the art environment in the society at that time , more reflects the understanding of the art of the composer himself , inheritance and innovation of artistic creation . Debussy 's works in addition to a small number of songs, orchestral music and opera , ballet , chamber music , creating more , as well as the greater impact piano works . Twenty - four Preludes epitomizes the Debussy Impressionism creative thinking and the concept , contrast before the creation of the composer chic new , richer in the choice of material . This article Select Debussy as an object, in twenty-four Prelude centralized Five Preludes on the basis of analysis of the course of development of the Prelude , combined with the background of the era composer , melody, harmony , debugging tonality , rhythm , structure analysis of Debussy Prelude . And on this basis and played some of their insights and recommendations . The text is divided into three parts , the first part introduces the social background , the prelude to the development of context , and his aesthetic ideas . The second part through a variety of music analysis techniques to understand the Debussy piano authoring features . Based on the above analysis of the third part and combined with her ??knowledge and experience , making tips and advice on playing .
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CLC: > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano
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