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Study for Female Image Building and Performance Characteristics in Opera <I1 Trovatore>

Author: JinLei
Tutor: LiuXia
School: Northeast Normal University
Course: Musicology
Keywords: Verdi Troubadour Female characters
CLC: J616
Type: Master's thesis
Year: 2009
Downloads: 312
Quote: 0
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Abstract


The great opera master Verdi Following Rossini, Bellini, Donizetti, the greatest Italian opera composer. Development of Verdi's opera of the Italian tradition of the art of singing, music and dramatic close enhance and enrich the opera theater performance, while he pursues the concept of \life experience. Opera \Verdi's music and theater close to accurately grasp the development of drama and character emotional development. He is adept at the use of foreshadowing, rendering techniques to create a dramatic climax opera characters emotional. This article is based on the opera aesthetic point of view, the play's female characters shape to do in-depth analysis, deep connotation of opera music from the the play female personality traits concert arias features analysis, understanding and interpretation of the unique charm of the aria. Dramatic portrayal of the characters and the music image analysis, reveal \Analysis of the Verdi opera music style and creative ideas from a dramatic portrayal of the characters and the music image the Aso Qiena Leonora characterization analyzed and discussed in order to reveal the personality traits of the characters and the complex the emotional journey. Singer of opera Portrayal aria second creation of characters from a deeper level provides a reference standard and the basis. This research to improve our understanding of this opera work, analysis of the sound characteristics of the Verdi opera \The shaping of the female characters in his operas have unprecedented dramatic features, the role inner strength contains profound emotional depth, depth of thought. Expectations Through this research to guide their practice concert, at the same time play an important role in the dramatic part teaching. The full text is divided into four parts: the first chapter introduces Verdi Life and creation of the characteristics of the Opera \the characters shaping, discusses how performers second creation; Chapter specific analysis of the the three arias music concert features music from the opera character image start; Chapter analysis from the perspective of vocal music teaching the Verdi opera singer \

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CLC: > Art > Music > Music theory and methods > Theory of voice production
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