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The performance of light and color is the most important works of Western art as a medium, they are in a unique way with the language of painting for hundreds of years of Western development process. In this process, light and color into the painting has gone through ups and downs of the spiritual masters, with sometimes gorgeous, sometimes colorful, sometimes melancholy artist who embodies the artistic effect of the spiritual world, and the inner world.Before the Renaissance, religious paintings occupy the absolute dominant, painting light and color reflected in the performance of more realistic painting among the Western concept of religion and religious art, limiting the artist to paint outdoors, so we are now seeing soy oil in the traditional Western tonal works. Renaissance, painters and moving away from the shackles of religious subjects, to reveal the true nature and mystery. Light and color in the picture has been taken seriously.The production of any thing, can not come out of thin air, are, are sure to have this kind of cause and effect, or inextricably linked to the 19th century, along with the results of scientific and technological research, people began to observe the light of scientific vision and color variation, color as absorption, reflection spectra of different nature present in colorful colors. Resulting from the impressionist in this period, independent of light and color has become the subject of their paintings. Impressionists on the high scientific standing, continuous practice, continue to observe, on their own eyes and the practice of painting light and color step by step deep into the inner most mysterious. Inherent in this, they use various means to Vientiane will be light in the world of color on the wonderful visual effects that show in the world, set off a revolution in the great art of light and color.This article by the rich in the form of light in the painting of the Renaissance started, leads to an impact of Impressionism Barbizon school, Kober and other artists, focusing on analysis of light and color in Impressionism, Impressionist and Post Impressionist painting new render different ideas and visual effects. In this article, I have different periods of the artist’s creative ideas and the essence of paintings features extracted, one by one to do a preliminary analysis. Although more attention to this analysis and understanding of a particular aspect, but still gives me a hundred years later Impressionist period there is a general understanding of history, only to understand the broad context of trade-offs in order to study and work in the future to do more research.
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