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Local opera called Luantan in Qing Dynasty . Since the Qing dynasty,it strum instead of legend become mainstream, the development of Chinese traditional opera . Since then chinese opera into a age of the competition of vocal cavity and the folk opera to the stage of history . Luantan around with the strong momentum, The chinese opera and go back to their literary form. It could be considered to reture to nature of Songyuan opera.Luantan doesn’t play, heavy weight of the performing arts, Flourished since it has reached a chinese opera show full ripe.Today in the country’s local opera, most of the Qing dynasty which is fooling around with the form.Weixian Luantan is a unique local opera of hebei, it has its own characteristics of art. Luantan’s performance was the characteristics of the tragic. It is a opera of more vocal cavity, in the process of development in all parts of the different solo singing, and it is history vocal cavity exchange of the integration of a typical example. By reviewing Wei xian Luantan to spill any information ,I found that focused on it for the study of music, and lack of a system, comprehensive study. Therefore, the spring festival in 2009, I has eight visited wei xian county, and interviewed local artisans,watched the performance of the Wei xian Luantan. Based on practical investigation,I systems analysis of its formation, the name of the source and play, dialect and the performing arts.The first chapter would have to tease the meaning of Qing Luantan. On this basis,it fooling around with the name of the analysis: by a common noun into special term. He comes from folk custom,after integrated world vocal cavity, it developed into a opera of more vocal cavity.The second chapter to study the play contents on the basis of reading a play. Its emphasis on singing of Laosheng, has the most historical.But it also performed life play. Its performance in accordance with the people’s taste of Hebei.The third chapter distinguished the difference between dialect and the mandarin. Pronunciation of Luantan is on the base of dialect of Weixian,there are obvious changes on tone, initial and final from mandarin. With beijing opera,Luantan rhyme pounding on“thirteen other”,use the most of“zhongdong”“jiangyang”“renchen”. The fourth chapter is to explore the performing arts of Luantan. The puppet show is a part of perfomance.This chapter analysis of the type,before the performance of the worship ceremomy,the color matches,roles,performance programhe,singing and position of band.
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