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A Collaged Narrative: A Comparative Study of Thomas Pynchon’s Gravity’s Rainbow and Liu Suola’s Nv Zhen Tang

Author: ZhangXiaoJuan
Tutor: FeiXiaoPing
School: Guizhou University
Course: English Language and Literature
Keywords: Collage Narrative Postmodernism Cultural Creative approach
CLC: I0-03
Type: Master's thesis
Year: 2008
Downloads: 291
Quote: 1
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Abstract


American post-modern novelist Thomas Pynchon is an American post-modern literature outstanding representative. His \Theme obscure and complex \But they are by critics worldwide, particularly in the United States and the people of all ages. His masterpiece, \It \\China Vanguard writer, musician Liu Sola published many short novella. \Her novels are anti-traditional, her writing showing fragmentation and planarization. His masterpiece, \With the development of language style constantly changing, different language styles hybridity together. The novel has been translated into French in 2005 and published by the French publishing house Seuil. Its French name \Both novels obviously misappropriated postmodern collage writing skills to express their social thinking. This paper will depart from the sight of comparative literature, the use of postmodern theory, narrative theory, feminism, stylistics, etc. from across time and space, plot, narrative point of view and cross-stylistic and linguistic styles of cross-class four aspects of two original texts collage creative techniques in this discussion. By carefully read two texts, digging out the text after load deep cultural factors and social significance, thus allowing readers to a deeper understanding of their indigenous traditions and cultural development and in the context of general literature, in today's age of consumption and popular culture trend, high-tech under the influence after the collision of two different cultures blend. This article includes the following chapters: The first chapter of the two novels give a brief introduction of the \This paper intends to solve the problem, as well as seeking two novels comparability methods applied. Finally, my tiny contribution. The second chapter is about two novels narrative collage comparison across time and space. This chapter from across time, across space and across time and space to compare three parts. The third chapter is about two relatively novel's plot narrative collage. Author based on the theme of the chapter is divided into different sacrifice plot, plot and dream satirical three-part episode. The fourth chapter is about two Narrative Viewpoint collage Narration. This chapter includes the third-person narrative and mixed-person narrative. The fifth chapter is about two novel stylistic and linguistic style across the cross-class collage Narration. This chapter will focus on folk and fiction hybridity, inscriptions and fiction hybridity, as well as advertising and fiction hybridity three aspects compare two novels. Language styles class and elegance from vulgar language and solemn collage collage with witty language to compare two parts. From the second chapter to chapter, two post-modern novelist writing skills collage differences, similarities and collage on two novels that role, in addition to Liu Sola postmodern writing how the U.S. were grafted to form their own unique style of writing will be explored in detail in four chapters. And in-depth study after hidden in two original texts in different cultural factors and common ideological origins. The sixth chapter is the conclusion article. Full summarize the main content of this paper summarizes the limitations. Depth study of the novel in the consumer era collage positive and negative effects of the lack of plane Writing, Writing novels appearing problems and Chinese writers imitate this postmodern narrative context in China the problems and needs further study problem. Chinese writer Liu Sola Although Pioneer misappropriated American postmodern collage creative approach, but in the Chinese context its form, creative purpose and role of the novel so changed. But this diversion there are still some traces of rote, which is impeding the Chinese traditional literature play a yoke.

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