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The Introduction of Solfeggio to China and Its Development in Shanghai Conservatory of Music Till 1966

Author: LiuBin
Tutor: JiangWeiMin
School: Shanghai Conservatory of Music
Course: Composition Theory
Keywords: Music hearing Solfeggio National Music Institute Shanghai Conservatory of Music
CLC: J613.1
Type: Master's thesis
Year: 2008
Downloads: 362
Quote: 8
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Abstract


This article discusses the as training music hearing ear training disciplines into our country and around the various situations in the overview of the development of the Shanghai Conservatory of Music (1966 years ago ) . The thesis reveals the Solfeggio disciplines century and a half of incoming , preliminary exploration and further development , until it becomes a mature , important music professional basic courses . Its development along with the change of China's modern history of music . Private school to the school 's new academic structure change from the old division , the Chinese people through the school songs for the first time in the hearing on the more widely feelings with different music styles of each song, the Western music gradually accept the teaching way different from the traditional music of the mouth pass heart granted , and \After Mr. Xiao Youmei edited the new academic structure sing textbooks and Mr. Huang Zi editor of the \Shanghai National Music Institute established in 1927 , The Solfeggio disciplines for the first time into the class of professional music institutions in China , and become one of the College compulsory . Subsequently , Mr. Chen Hong to stay in returning to sound teaching to bring the most advanced French sight-singing teaching system ; in the fifties the Soviet experts德米特列夫斯Kaja sound lectures , multi-part , harmony auditory analysis angle rich the Solfeggio disciplines ; fifties and sixties by the domestic history of the environmental impact of the Solfeggio a substantial increase in China 's folk music, drama and other content . Driven by external and internal factors , the Solfeggio discipline matured . Basic order history combined with the historical discourse , and strive to sort out the Solfeggio development context , and thus to better learn from the experience of history in the tradition of development and innovation , and constantly improve the discipline .

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CLC: > Art > Music > Music theory and methods > Basic Music > Solfeggio
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