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A Study on Ye Jiaying’s Sino-western Comparative Poetics

Author: WangXiaoGang
Tutor: LiDongMing
School: Guangxi Normal University
Course: Literature and Art
Keywords: Ye Jiaying Comparative Poetics Realm Revitalizing and moving
CLC: I0-03
Type: Master's thesis
Year: 2005
Downloads: 251
Quote: 2
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Professor Ye Jiaying creatively absorb modern Western literary theory, expounding the theory of classical criticism of classical poetry, formed its own unique characteristics of the times, Western Comparative Poetics system Literary Theory and Literary Criticism paradigm change. Of Ye Jiaying the Western Comparative Poetics theory connotation in traditional literary theory as a fundamental, comparative fusion of Western literary theory, elucidations and classical literary theory and literary criticism, and generate a more dynamic theory of new forms. The features we of Chinese and Western of Ye Jiaying poetics summarized from this comparison, at the same time pointed out that it's worth. Of Ye Jiaying the Western Comparative Poetics of basic view is to recognize the necessity of outside influence; adhere to principle of inclusive compare fusion; advocated in depth familiar premise in the Western literary theory, theory building and critical practice. Ye Jiaying phenomenology, Buddhist, and other related theories into the \and moving the world. \She essentially restore the basis of the Realm, the theory own Xingfa moved. Ye Jiaying use of traditional literary theory \long-term problem of tangled theories near to revitalizing and moving sense of hair-based Lenovo criticism of the way. In the specific criticisms practice, Ye Jiaying adhere to a unified and Sensibility, macro and micro, traditional and modern. To experience subjective aesthetic sense and rational judgment, and ultimately determine the aesthetic value of the works of micro and macro-historical status, to achieve the perfect combination between the literary and artistic self-discipline, and history interdependent. Of Ye Jiaying the Western Comparative Poetics has theory building and criticized the practice of double meaning, she absorbed the Western literary theory, stimulate traditional poetics, the formation of a new theory, the theoretical form of rehabilitative change. And to criticize the classical literature, innovation criticism paradigm. It not only provides for the establishment of a new system of poetics example for our \

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