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A Study of Domestic Songs

Author: WuMeiFu
Tutor: CaiMeiHua
School: Yanbian University
Course: Asian - African Language and Literature
Keywords: Korea Society Confucian culture Seven go to the evil Three from the Road Boudoir Songs Female Consciousness
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Type: Master's thesis
Year: 2005
Downloads: 111
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Abstract


With the introduction of the Joseon Dynasty Confucian patriarchal culture and the establishment of women not only lack of social recognition, in the family can not ensure a stable position, can only swallow to live. Woman was supposed to be an independent personality body, but in the history of women in the exercise of parental authority is always better than poor men first class, had meekly endured personal insults. This irrational social philosophy was gradually institutionalized and standardized, and then people do not have any ability to change reality. In the feudal ethics \But they began to consciously recognize the true value of humanity, and trying to break the barriers of various rules and irrational society from itself and freed. Boudoir Songs loaded them aware of precisely this long-repressed their situation to discover their own values ??and explore ways to improve the spiritual path, they are also a way to digestion discontent and show their different conscious process. Songs are portrayed boudoir and performance, in a powerful unifying women under Confucian philosophy can take to maximize the resistance and criticism. This paper studies the boudoir Songs embodied female consciousness, therefore we must first boudoir Songs the concept a clear definition. Songs boudoir is two classes aristocratic women were sung, called \and sung. The main purpose of this study is to boudoir Songs reflected changes in the lives of women-centered, women proved Korea DPRK traditional female consciousness. Papers from the sincere and delicate sentiment analysis perspective, and a feminist perspective summarizes the main features of Songs boudoir, and also examine Confucian feudal patriarchy and the resulting differences between men and women, as well as changes in the era of women in the pursuit of freedom embodied in the boudoir song how Among speech. This boudoir Songs feminist consciousness research is divided into three sections: first analyzes Korea towards women's social status, the first chapter summarizes Ⅱ Songs boudoir formed the social and cultural background, without learning the virtues, seven to go with three from evil the road, does not matter two paragons husband inspected advocating regime and other aspects; Chapter Chapter Ⅲ Songs based boudoir embodied lives of women divided into admonished song, flower fried song, song lamenting life experience three types of analysis: the first chapter Ⅳ Songs boudoir female consciousness embodied generalize, mainly women self-awareness that the traditional institution of marriage

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