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The Semantic Analysis of the Formal Category and the Course of Its Development about Chinese Literature and Art

Author: WangJinLong
Tutor: HuangLiang
School: Chongqing Normal University
Course: Literature and Art
Keywords: Form category The form category 's semantic analysis The evolution of the form category Formalism
CLC: I0
Type: Master's thesis
Year: 2005
Downloads: 131
Quote: 0
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Abstract

Appear in our literature and art since the formal categories So far, about a hundred years of history, and both are widely used, and ambiguous one hundred. More clearly in order to use the basic category of literary theory, this article focuses on the following work. First, based on the context of Chinese literature and art forms of synchronic study areas, as a semantic analysis of the form category. The following three types of usage: (1) the appearance, style, genre: (2) internal organization, arrangement, structure and skills: (3) as a whole, or self-contained, aesthetic, style contact. These meanings often interrelated, overlapping, have a one-sided rationality; usage of the first two categories within the form category generated more usage of the latter category is more affected by the impact of foreign literary theory. Second, based on the context of Chinese literature and art, diachronic study of formal categories, combing form category centuries accepted, expositions and use of an overview. Famous masterpiece, the system over the self literary theory textbook exposition and application of formal categories for focus on the object, and interspersed with a foreign literary theory in the form category research, which show that the absorption abroad foreign achievements and utilization. To Pei Liang exposition of formal categories, marking the founding of the form of the scope of the study before the height; Tong Qingbing, Zhou Xian formal categories discussed in the nineties, the marks after the founding date of the formal categories of new heights. Third, after the founding of the form category in nearly three decades has been under vassal in the content areas, even if the \For obvious reasons: First, because of the strong tradition of the Road \Theory traceability: first, because the single situation reflects the literary concept of the theory; due to misunderstanding of Hegel's \The content and form of the relationship is not who decide who the relationship, only to introduce the concept of mediation \Fourth, it is necessary to use a definition of \Should first be separated from the formalism as a creative method and as a research method formalism area, while the latter is understandable; Secondly, as a creative method formalism is inappropriate to use it to criticize the single works or a single writer, but available to criticize the the generation writing style.

The Semantic Analysis of the Formal Category and the Course of Its Development about Chinese Literature and Art

Abstract

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