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Varied Possibility of the Ways of Writing for Chinese Traditional Opera Aesthetics

Author: FengZuo
Tutor: ZouYuanJiang
School: Wuhan University
Course: Drama \u0026 Opera
Keywords: Xu Lingxiao Opera aesthetics Way to write
CLC: J801
Type: Master's thesis
Year: 2005
Downloads: 172
Quote: 0
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Abstract

The Xu Lingxiao is the Study of Drama in Modern China, but he did not get the attention of the academic community. Xu Lingxiao have an important contribution in of opera aesthetics and Dramatic Criticism way, This paper focuses on the study of his drama criticism method. Xu Lingxiao dramatic theory throughout the two main ideas: weight Ling atmosphere of the theater world was warned that researchers should focus on the drama of the whole spirit of the significance of mining opera determined principle, so as to improve the Chinese Opera cultural status; think of traditional Chinese opera at the most advantageous is the ability to use the art of life \This opera concept will be presented in the criticism of the way for theoretical research stage as a foothold. Xu Lingxiao literati identity involved in drama criticism, they did not forget the opera stage characteristics. Xu Lingxiao has a wealth of experience in the opera, and exchanges with the refined, very deep, and these are good for his drama criticism accumulation. Not only that, he was personally involved in the description and adaptation of the opera script reflects the direct impact of the critics for drama activities. \Explore the writing style of the book, we found that the object of study for the breakdown of opera, the establishment of an independent Chinese opera aesthetic discourse system problems have reference. Visits Xu Lingxiao opera criticism activities, we found that he converted to researchers from the opera audience, rather than converted to researchers' readers sense from the opera literature, but he has a text researchers and writers knowledge and scholastic ability, which makes his criticism of the opera presents a unique look: from the opera stage properties, do not stop at the stage sex, but always working to improve the status of opera literature. Xuling Xiao is a broad definition of literature. Of Xu Lingxiao the \provides a variety of possibilities. This paper argues that this way is more appropriate than the Western-based theoretical system, in line with the characteristics of the opera, and closer to the kernel of the opera art. But this kind of writing there are drawbacks, the most obvious of which is not firmly established a clear and rigorous theoretical framework, discusses omissions and to some extent limit the breadth and depth of the critics can reach.

Varied Possibility of the Ways of Writing for Chinese Traditional Opera Aesthetics

Abstract

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