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Study on Novel Narrative Ethics of DongXi

Author: LiuChunYu
Tutor: ChengGe
School: Northeast Normal University
Course: Literature and Art
Keywords: Narrative Ethics The soul of the narrative Discourse carnival Baiyue realm
CLC: I207.42
Type: Master's thesis
Year: 2010
Downloads: 143
Quote: 0
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Abstract


Guangxi literature in Chinese contemporary 30 years has been in a depression stage , can be said to be \The turn of the century before things devils , Li Feng \Which , something ( Tashiro Lin ) , the first sounded the clarion call of Guangxi Province to enter the Chinese literary world , but also the \This paper argues that efforts to explore novelty novels road as a Younger Generation writers , something . He suffering absurd keen on the humor of all ages , so he became a \He consciously or unconsciously follow the tragic fate of a manifestation of the little people in the novel , narrative ethics , digging the characters' inner soul out of the traditional moral dilemma and experience difficulties out of the traditional Chinese novel kind of punishing evil and promoting karma the obsolete mode , to create a new mental space and aesthetic realm of fiction . This article is from the the narrative an ethical point of view , the use of literature peruse law generalizations law and the analysis of narrative ethics writer works , intends to build the full text of the following areas : in the introduction to introduce something its people and its creative domestic something novel research paper topics based on their theoretical and practical significance . The first part from the the Southern Wu the gas and bagui earth unique geographical and cultural \In the second part of \into a reducing social moment true of the narrative of the life of the soul , and right and wrong, good and evil , true and false , causal art large comfortable . The third part is a concrete manifestation explore something narrative ethics . The fourth part discusses the revelation of something novel narrative ethics of contemporary Chinese fiction .

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