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Study on Nietzsche’s Rhetorical Linguistic View under the Aesthetic Field of Vision

Author: GuoCaiFeng
Tutor: ZhaoKuiYing
School: Shandong Normal University
Course: Literature and Art
Keywords: Nietzsche Rhetorical view of language Aesthetic Point of View
CLC: H05
Type: Master's thesis
Year: 2010
Downloads: 76
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Abstract


Nietzsche's concept of rhetorical language in his entire system of thought to occupy an important position, his rhetorical theory implantation language was to use the language of the hand to achieve the purpose of the deconstruction of truth and authority, in other words, is the use of the language of rhetoric property to subvert the traditional view of language, in order to achieve the purpose of revaluation of the value of all things. The thesis is divided into four parts to illustrate: the introductory part of the talk of academic Nietzsche Research, Chinese and foreign scholars to study his works after 1876, mainly concentrated in the will to power, \Nietzsche's rhetorical view of language, however, is a blind spot in the research field, which is the ideas explored in this thesis, also this thesis innovations. The first part discusses Nietzsche rhetorical theory origin of the concept of language and creative background. Ancient Greece Plato to the 19th century, Kant, Hegel, has been regarded as a \relationship. However, Nietzsche uncharacteristically rhetorical theory into the language (rhetoric subjective creativity), his emphasis on the role of feeling, intuition and imagination that all languages ??are escaped, so put rational thinking from language field expulsion, suspension stability, accuracy and clarity of the language system. In addition, Nietzsche influenced by the ancient Greek humanistic spirit and Schopenhauer life aesthetics, so his rhetorical view of language with a poetic, aesthetic qualities. The second part is a core part of the thesis, explain the basic content and aesthetic characteristics of the of Nietzsche rhetorical view of language. First of all, simple to clarify the phylogenetic relationship of rhetoric and language; Secondly, it is pointed out that the basic connotation of the concept of rhetorical language includes four aspects: metaphor, copy, offset and subversive. In order to conclude that language is a subjective sense of creation, is not subject to the limitations of logic and grammar, things, sounds and concepts between a great deal of arbitrariness and uncertainty. Again discussed the aesthetic characteristics of the rhetorical concept of language, from the art of rhetoric, metaphors and literary relations and Nietzsche against the theory of rational center to talk about respect for life aesthetics. Nietzsche in its creation, personally, the extensive use of rhetorical language, so that the text is full of literary art. The third part focuses on Nietzsche rhetorical view of language impact on future generations and their own limitations. Mainly talked about Nietzsche rhetorical language concept of postmodernism text dealt with the aesthetics of life, in three respects: the philosophy of postmodernism, deconstruction life aesthetics of post-modernism Literary addressed. Nietzsche, however, blindly exaggerated language rhetoric property, and the rhetoric itself with subjectivity and creativity, in more cases, is an unconscious creation, free from the control of logic and grammar. Thus, his view of language with the nihilism color. In addition, Nietzsche too much emphasis on the human senses to enjoy the rejection of reason and thinking involved, his rhetorical view of language initiation of pan-sexuality 'color. In short, the period of transition of Nietzsche's concept of rhetorical language in philosophy really plays the role of the navigation lights, the language itself is entirely the product of the art of rhetoric \[1] His rhetoric from the seven arts referred to the first rejection of rational thinking guiding role of language, so the language with uncertainty and rheology, the collapse of the building of the \Nietzsche's rhetorical view of language have a major impact on the deconstruction text creation and post-modernist aesthetics of existence, a profound influence on Derrida, Foucault, Roland Barthes and Heidegger and a number of master.

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CLC: > Language, writing > Linguistics > Writing and Rhetoric
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