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The end of the seventeenth century , Deutsche slowly out of the haze of the Thirty Years' War . Princes everywhere , exists in name only German Holy Roman Empire system , Prussia and Austria, and gradually expand to form the pattern of a two side by side . At the same time , the spread of the Enlightenment , mercantilism and enlightened despotism in the implementation of the various nations , and greatly promote public class ideology awakening and economic strength . The impact of the French Revolution in 1789 , the forces of the court and nobility further weaken public class growing strength , and gradually the stage of history . Changes in the role of class forces in society as a whole , through the influence of the economic , political and cultural environment , in the field of music reflected . The eighteenth century , the German musician Western music onto the peak , from a sociological point of view , clearly showing their creative career turning point of the musician social status . In this paper, the use of the sociology of music theory on the relationship between the social and historical environment and the social status of Musicians , organizational forms and creative environment , by analyzing the historical conditions of the stage , class contrast situation , social thought and cultural acceptance environment , resolve the classical period of three generations factors the Deutsche of different musicians fate behind the era , to tease out classical musicians from the craftsmen artists to the development of the freedom of artists clues : as a representative of the late Baroque , Bach and Handel , is still at this stage artists closely dependent on the stage of the court and aristocracy , palace shackles of artistic creation is far from sufficient to deny the favorable conditions for musicians ; to Haydn and Mozart generation , the musicians began trying to break free of the shackles of the privileged class , but the German states art environmental development has lagged in public musicians thinking on awakening ; starting from the mid - eighteenth century , with the formation of the music market open , the publishing industry and music organizations growing , Beethoven and Schubert , completely independent of the court and creative the marks Deutsche musicians from artisans artists completion of the transition to freedom of artists . Therefore , this article is both German eighteenth century to the 19th century music history and social history of dynamic presentation , and changes of environment, the stage of development of German music of this period , which lasted analysis .
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