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The Expression Idea of the Historical Changes in Western Literary Theory

Author: DangZuoJuan
Tutor: WuXingYuan
School: Yan'an University
Course: Literature and Art
Keywords: Western Literary Theory Performance concept Simulation theory Representationism Theory of Forms
CLC: I0
Type: Master's thesis
Year: 2011
Downloads: 38
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Abstract


The performance concept is an important theme throughout the Western literary theory history. From diverse historical perspective of the history and culture of various historical periods of Western society in particular aesthetics, background, specific analysis of western criticism of the performance of the concept and its inheritance relations, and explain and outline its developmental context and history of clues. Broadly speaking, the performance of the Evolution of the Idea of ??western criticism can be divided into three basic stages: First, from Ancient Greece to Modern classical period performance inherent in the concept of traditional art simulation theory. During this long period, the literary critic of generally accepted concept art imitate natural, but also mimic the range of the inner world of emotions, a lot of people even believe that the art of imitation and the personality of the author emotional close correlated significantly with literary manifestations of emotional factors. Romanticism since, the theory of literary manifestations of the spirit world performance accounted for a dominant position, and all sorts of the same concept of performance, or advocated literary performance universal human emotion, or advocate the literary manifestations of personality and personal feelings or advocated literary performance world will or human collective unconscious, or to advocate literary performance the personal unconscious deep psychological structure. On the formation of the 20th century art form, produced as the concept of performance art methods. This concept severed the relationship between the works of emotional, artistic expression is not important, important is the emotional formal configuration or symbols. Is not difficult to see that the performance of the historical evolution of the concept of clues can be broadly summarized as follows: (1) the content of the performance, by the performance of common humanity, human emotional content, the steering performance of the personality, personal feelings and even unconscious deep psychological content, and then the performance universal world will shift back to collective unconscious and universal human emotion. (2) on the performance of the essential connotation, stressed the importance of performance content, the decisive role of the author emotional turning attention manifestation of the decisive role of the form itself. Western criticism imitate ideas and performance concepts early look as mutually exclusive, but careful analysis, you will find that they there is much in common, and even can be said that the opposition of some of the arguments just a wording problem performance universal emotions and imitate human nature, to imitate universal emotion is essentially no difference.

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