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After your Hongshou committee Las branch paintings

Author: XiaoJin
Tutor: YuanYunSheng；MaLu
School: Central Academy of Fine Arts
Course: Fine Arts
Keywords: Hongshou Spain Seventeenth century Historical trends Realist tradition Cultural identity The sixteenth century Course Change Cultural types Development Background
CLC: J205
Type: Master's thesis
Year: 2005
Downloads: 180
Quote: 0
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Abstract


In this paper, the differences in cultural characteristics as pleasant to the eye point . First overview of China 's Ming special and the inevitable historical trends , as well as the equivalent of the second half of the sixteenth century , the same stage in the second half of the seventeenth century Spain brief history . Then , comparing the development background of figure painting of the two countries : the changing course of the development of traditional Chinese figure painting to the basic situation of the late Ming ; Spanish realist tradition of figure painting . Focus on the final placement of the same life painter of the second half of the 17th century , two figures , the China's Hongshou and Spain commissioned Las your support , their life and works behind the transmission out of the different characteristics of the two cultures type . In addition, it comes to China , a traditional portrait painter had whales, he has its own unique combination of traditional portrait techniques and absorb the strengths of Western painting . Life of several painters and paintings have a typical representative of respective cultures . The reason for them and their work environment to such comparative studies , because of Chinese figure painting today development is at a culture shock and intersection more frequently era ; inherited and used , tradition and innovation , history retrospect , we are able to more clearly thinking about the future direction of these problems . The author hopes to inspire herein Syria looking for figure paintings of contemporary cultural positioning .

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