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The "Yi" Category Research in Korean Classical Poetics

Author: HuangGuiHua
Tutor: CaiMeiHua
School: Yanbian University
Course: Asian - African Language and Literature
Keywords: Yi Classical poetics Aesthetic value Category
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Type: Master's thesis
Year: 2010
Downloads: 41
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Abstract


The Yi is the core category in the Korea classical literaterary art, and was the objective exists in Korea classical poetics history that cannot afford to ignore, it takes an important role to promotes the development of the Korea classical literary art. The emergence of the first Korean Poetry is later than the chinese Liuyi Poetry for four hundred years, the Korea can not be avoided classical poetics influence of Chinese classical literary theory, but it is not completely accepted, but continued to accept the evolution,and to reconcile them with the theory of ethnic characteristics.The article is divided into three parts. That was introduction, text and conclusion. The introduction wrote the reasearch purpose and significance, research results and research methods. The text is divided into four parts.PartⅠ, The establishment of Yi category and its development. In this part, It was made by a diachronic study on Yi category. Firstly, proposing the category concept of Korea classical Poetics clearly which according to the Aristotle and Professor Wang Yonghao. All the nouns of Korean Classical Poetry that can provide and explain for specific study object in some aspects. Lee kuibao who was the literary critic in Koryo period proposed "XinYi" that was a narrative and regulations of poetry, but it is also the recommendations in the creation, so this is one of the poetry category. Yi in China as early as embodied in the philosophy, with the "Yi" rich in content areas, in the Wei and Jin Dynasties that was developed into the literatary area, the theory is the most developed in the Tang Dynasty. The Yi category in Korea Classical Poems accepted Chinese classical category-Yi from the late koryo period to the Joseon. At the same time, it has a unique requirement in the creation, Critical theory.PartⅡ, The writer and Yi. This part make a basic point for writer’s temperament and to induction and analysis of it. Yi and author’s "temperament, nation, emotion" has a close relationship, the writer’s temperament determine the meaning of work, this temperament out of nation, the emotion out of the word, the word is a product of Yi, so the emotion is the same as Yi.PartⅢ, The ideological content and Yi. In this part, tried to discuss its connotation and extension from the horizontal angle. The Korea classical literary critic promote the ideological content that "the meaning in poetry, poetry must have new ideas, to in-depth and subtle meaning, " and so on.PartⅣ, The aesthetic expression of Yi, this section summarizes the performance of Yi in Korea classical poetics, and reveals the characteristics of the Yi from "implication", it is also an active component pushing forward social idealogy and culture in the whole development.In the conclusion, summarized the intended scope of the meaning of Korea classical poetics, and points out it’s further possible development.

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